We used a process called ‘bleach bypass’ during the making of one of my early short fiction films called ‘The End of Summer’. It entailed taking the 16-millimetre film through a convoluted system of washes in the lab that result in the picture having a strange, darkened, stormy texture to it. It almost appeared as if certain colors have been washed out and others had had their volume pumped up. Several films had done this before ours…indeed we nicked the idea from ‘Breaking the Waves’ by Lars Van Trier. We used the same lab baths of chemicals as ‘Lock Stock and Two Smoking Barrel’s by Guy Ritchie.
The reason I am banging on about this is that with RP, (my eye condition), my colour vision is changing in a strangely similar fashion. Evidently I will loose it all eventually but at the moment there is such an interesting subtle dimming. Elegant almost and not yet melancholy. I am losing definition between browns and dark greens and blues but oranges and definitely reds glow. I can walk down a street and be suddenly surprised and moved by a potted geranium glowing like it’s on fire from a window.